Festival d\u2019Aix-en-Provence<\/a>, puis fait ses d\u00e9buts la saison suivante \u00e0 l\u2019Op\u00e9ra National de Paris dans Ariadne auf Naxos (Harlekin) de R. Strauss. Depuis lors il s\u2019est produit dans de nombreuses oeuvres du r\u00e9pertoire sur les sc\u00e8nes de l\u2019op\u00e9ra Bastille et du Palais Garnier : Die Zauberfl\u00f6te, Carmen, Arabella, La veuve joyeuse, La damnation de Faust, Cos\u00ec fan tutte, L\u2019enfant et les sortil\u00e8ges, Les Indes galantes\u2026<\/p>\n\n\n\n
Ses engagements le m\u00e8nent aux \u00c9tats-Unis (Manon de J. Massenet et Le Nozze di Figaro), au Japon (Beatrice et Benedict), en Am\u00e9rique du Sud (Don Giovanni au Chili) ainsi que dans toute l\u2019Europe et la Russie, tant dans le r\u00e9pertoire baroque (Hippolyte et Aricie, les Bor\u00e9ades et Plat\u00e9e de J.P. Rameau, ainsi que les op\u00e9ras de J.B. Lully), classique (W.A. Mozart, J. Haydn), rossinien (La Cenerentola, Guillaume Tell, Mo\u00efse et Pharaon), puccinien (Tosca, Madama Butterfly ou La Boh\u00e8me) ou bien encore dans les oeuvres contemporaines.
<\/p>\n\n\n\n
Son affection particuli\u00e8re pour les oratorios et le r\u00e9cital a toujours \u00e9t\u00e9 une composante essentielle de sa vie musicale : de New-York (Carnegie Hall) \u00e0 Paris, des \u00ab folles journ\u00e9es \u00bb de Nantes et de Tokyo, \u00e0 Montevideo et SaintP\u00e9tersbourg, il interpr\u00e8te Lieder et m\u00e9lodies en collaboration avec de nombreux pianistes accompagnateurs et chante sous la direction de chefs d\u2019orchestres prestigieux, comme ceux des Berliner Philharmoniker, Wiener Symphoniker, l\u2019Orchestre National de Radio France, le Los Angeles Philharmonic, le London Symphony Orchestra, etc.
<\/p>\n\n\n\n
Laur\u00e9at en 2007 du HSBC Foundation Award et 1er prix du concours Nadia et Lili Boulanger , nomin\u00e9 deux fois aux Grammy Awards, il a enregistr\u00e9 de nombreuses oeuvres du r\u00e9pertoire baroque ainsi que des m\u00e9lodies de Nadia Boulanger pour Delos.
<\/p>\n\n\n\n
Il collabore avec Michael Linton, compositeur am\u00e9ricain, avec lequel il a enregistr\u00e9 deux albums (Carmina Catulli ainsi que Songs of Oscar Wilde). Accompagn\u00e9 par Yoan H\u00e9reau, \u00ab Die Winterreise \u00bb de Franz Schubert marque le premier enregistrement de Lieder d\u2019Edwin Crossley-Mercer.
<\/p>\n\n\n\n
La saison 2021 a \u00e9t\u00e9 marqu\u00e9e par son retour au Bayerische Staatsoper pour Cosi fan tutte, Tosca, Signor Bruschino et K\u00f6nig Lear. Il a chant\u00e9 Didon et En\u00e9e avec le Coro e Orquestra Gulbenkian avant une reprise de Plat\u00e9e et Peter Grimes au Theater an der Wien. Cosi fan tutte au Vlaamse Opera (Guglielmo) et \u00e0 l’Opernhaus de Zurich dans le r\u00f4le de Don Alfonso. Il a eu l’honneur de chanter pour le Concert de Paris lors des c\u00e9r\u00e9monies du 14 juillet 2021.
<\/p>\n\n\n\n
Ses engagements r\u00e9cents incluent Osiride dans Mo\u00efse et Pharaon de G. Rossini au Festival d’Aix en Provence 2022 et \u00e0 l’Op\u00e9ra de Lyon, reprenant \u00e9galement le r\u00f4le de Mo\u00efse (cover). Bitterolf dans Tannh\u00e4user de R. Wagner au Salzburger Oster Festspiele sous la direction d’Andris Nelson ainsi que Comte Oberthal dans Le Proph\u00e8te de Meyerbeer parmi la s\u00e9rie de concerts du Festival d’Aix en Provence 2023.
<\/p>\n\n\n\n
Ses d\u00e9buts avec l’Orchestre Symphonique Cor\u00e9en KNSO comme Fr\u00e8re Laurent dans \u00ab Rom\u00e9o et Juliette \u00bb de Berlioz ont suivi ses repr\u00e9sentations \u00e0 l’Op\u00e9ra de Dijon dans Fidelio de Beethoven. En 2024, il reprend le r\u00f4le de Don Alfonso dans Cosi fan Tutte \u00e0 l’Opernhaus de Z\u00fcrich. Les prochains engagements incluent deux tourn\u00e9es d\u2019op\u00e9ra de G.F Haendel \u00e0 travers l’Europe : Jephta et Hercules ainsi que Armide de Lully \u00e0 l’Op\u00e9ra Comique de Paris.
<\/p>\n\n\n\n
En 2021, Edwin Crossley-Mercer est nomm\u00e9 \u00ab Chevalier des Arts et Lettres \u00bb et fonde le Festival et l\u2019acad\u00e9mie \u00ab Castel Art\u00e8s \u00bb avec le danseur Vincent Chaillet dans le sud de la France. Un festival o\u00f9 cr\u00e9ativit\u00e9 et p\u00e9dagogie se rencontrent dans une s\u00e9rie de concerts et de performances de danse. <\/p>\n\n\n\n
\u00c9galement chef d\u2019orchestre de formation, il a dirig\u00e9 entre autres, des interpr\u00e9tations du Requiem de G. Faur\u00e9, du Requiem de W.A. Mozart, du Stabat Mater de G.B. Pergol\u00e8se, L\u2019enfant et les Sortil\u00e8ges de M. Ravel et Didon et En\u00e9e de H. Purcell.<\/p>\n\n\n\r\n \r\n En savoir plus sur le cursus Chant <\/a>\r\n","protected":false},"featured_media":6417,"template":"","discipline":[28],"class_list":["post-6416","teacher","type-teacher","status-publish","has-post-thumbnail","hentry","discipline-chant"],"acf":[],"yoast_head":"\nCROSSLEY-MERCER Edwin - Ecole Normale de Musique de Paris<\/title>\n<meta name=\"description\" content=\"Edwin Crossley-Mercer est aujourd\u2019hui pr\u00e9sent sur les plus prestigieuses sc\u00e8nes d\u2019op\u00e9ra et de concert internationales.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.ecolenormalecortot.com\/en\/enseignants\/edwin-crossley-mercer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CROSSLEY-MERCER Edwin - Ecole Normale de Musique de Paris\" \/>\n<meta property=\"og:description\" content=\"Edwin Crossley-Mercer est aujourd\u2019hui pr\u00e9sent sur les plus prestigieuses sc\u00e8nes d\u2019op\u00e9ra et de concert internationales.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.ecolenormalecortot.com\/en\/enseignants\/edwin-crossley-mercer\/\" \/>\n<meta property=\"og:site_name\" content=\"Ecole Normale de Musique de Paris\" \/>\n<meta property=\"article:modified_time\" content=\"2024-07-25T14:01:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.ecolenormalecortot.com\/wp-content\/uploads\/2024\/05\/thumbnail__DSC7559_1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"666\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.ecolenormalecortot.com\\\/en\\\/enseignants\\\/edwin-crossley-mercer\\\/\",\"url\":\"https:\\\/\\\/www.ecolenormalecortot.com\\\/en\\\/enseignants\\\/edwin-crossley-mercer\\\/\",\"name\":\"CROSSLEY-MERCER Edwin - 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