{"id":11465,"date":"2025-12-15T15:38:27","date_gmt":"2025-12-15T14:38:27","guid":{"rendered":"https:\/\/www.ecolenormalecortot.com\/event\/carte-blanche-a-olivier-gardon-piano-beethoven-chopin-debussy\/"},"modified":"2026-03-05T16:57:43","modified_gmt":"2026-03-05T15:57:43","slug":"carte-blanche-a-olivier-gardon-piano-beethoven-chopin-debussy","status":"publish","type":"event","link":"https:\/\/www.ecolenormalecortot.com\/en\/event\/carte-blanche-a-olivier-gardon-piano-beethoven-chopin-debussy\/","title":{"rendered":"Carte Blanche \u00e0 Olivier Gardon, piano | Beethoven, Chopin, Debussy"},"content":{"rendered":"\n

Carte Blanche \u00e0 Olivier Gardon, piano – Beethoven, Chopin, Debussy<\/strong><\/p>\n\n\n\n

LES RENCONTRES MUSICALES DE CORTOT
La saison de l\u2019\u00c9cole Normale de Musique de Paris o\u00f9 se c\u00f4toient grands solistes d\u2019aujourd\u2019hui et \u00e9toiles de demain.<\/strong><\/p>\n\n\n\n

Aujourd’hui, nous accueillons Olivier Gardon, pianiste et professeur \u00e0 l’\u00c9cole Normale de Musique de Paris, \u00e0 la Salle Cortot<\/a><\/strong>.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Programme<\/h3>\n\n\n\n

L. Van Beethoven<\/strong>, Sonate n\u00b030 en Mi majeur, Op. 109<\/em> <\/p>\n\n\n\n

1er<\/sup> mouvement Vivace ma non troppo \u2013 Adagio espressivo<\/p>\n\n\n\n

2\u00e8me<\/sup> mouvement Prestissimo<\/p>\n\n\n\n

3\u00e8me<\/sup> mouvement Andante molto cantabile ed espressivo.\u00a0Variations 1-6<\/p>\n\n\n\n

F. Chopin<\/strong>, Polonaise-Fantaisie Op. 61<\/em> <\/p>\n\n\n\n

\u2014 ENTRACTE \u2014 <\/p>\n\n\n\n

C. Debussy<\/strong>,\u00a0“Clair de lune”\u00a0 extrait de la suite bergamasque\u00a0<\/p>\n\n\n\n

7 Pr\u00e9ludes, extraits des livres 1 et 2<\/p>\n\n\n\n

\u00ab Voiles \u00bb<\/p>\n\n\n\n

\u00ab Les collines d\u2019Anacapri \u00bb <\/p>\n\n\n\n

\u00ab\u00a0Brouillards\u00a0\u00bb\u00a0<\/p>\n\n\n\n

\u00ab G\u00e9n\u00e9ral Lavine – eccentric \u00bb <\/p>\n\n\n\n

\u00ab La terrasse des audiences du clair de lune \u00bb <\/p>\n\n\n\n

\u00ab Ondine \u00bb <\/p>\n\n\n\n

\u00ab Feux d\u2019artifice \u00bb <\/p>\n\n\n\n

<\/div>\n\n\n\n

Olivier Gardon, piano<\/h3>\n\n\n
\n
\"Carte<\/a><\/figure>\n<\/div>\n\n\n
C’est \u00e0 l’Op\u00e9ra de Nice qu’OLIVIER GARDON<\/a><\/strong> joue pour la premi\u00e8re fois avec orchestre. Il n’a que dix ans et il interpr\u00e8te le Concerto en r\u00e9 mineur de Bach. Il a \u00e9t\u00e9 remarqu\u00e9 \u00e0 l’\u00e2ge de sept ans par la pianiste hongroise Lili Kraus, qui l\u2019a encourag\u00e9 vivement \u00e0 continuer dans cette voie.
El\u00e8ve de Mme Audibert-Lambert, disciple d’Alfred Cortot, il poursuit ses \u00e9tudes de piano au Conservatoire de Nice et au Conservatoire National Sup\u00e9rieur de Musique (CNSM) de Paris avec Pierre Sancan, disciple d’Yves Nat. Premier prix de piano \u00e0 l’unanimit\u00e9 du jury et premier prix de musique de chambre dans la classe de Jean Hubeau, il se perfectionne aupr\u00e8s de Jean Fassina, G\u00e9za Anda, Lili Kraus et Gy\u00f6rgy Seb\u00f6k. Cette nouvelle rencontre avec l’\u00e9cole hongroise vient parfaire la richesse de sa palette sonore, et sa ma\u00eetrise du geste et de la technique.
Laur\u00e9at de prestigieux concours internationaux, OLIVIER GARDON<\/strong> remporte le Grand Prix Marguerite Long (1973), le Prix Reine Elizabeth (1975), le Prix international Viotti, le Prix international de Monza, le Prix de Senigallia et le Prix Casella de Naples. Il est \u00e9galement laur\u00e9at de la Fondation de la Vocation et de la Fondation Alex de Vries \u00e0 Anvers.<\/summary>\n

<\/p>\n\n\n\n

La presse d\u00e9couvre \u00abun artiste haut en couleur<\/em>\u00bb  et salue son \u00ab\u00e9l\u00e9gance, son aisance, le raffinement du toucher<\/em>\u00bb, \u00absa forte pr\u00e9sence, sa sensibilit\u00e9 torrentielle, son art de sculpter le clavier comme un mat\u00e9riau vivant…<\/em>\u00bb Commence alors une brillante carri\u00e8re de soliste et de chambriste qui l’am\u00e8ne dans les plus grandes capitales musicales du monde.<\/p>\n\n\n\n

<\/h2>\n\n\n\n

\u00c0 Londres, il se produit en musique de chambre au Wigmore Hall, et son interpr\u00e9tation du Concerto n\u00b0 4 de Beethoven et du Concerto de Schumann avec le London Symphony Orchestra \u00abstup\u00e9fie v\u00e9ritablement\u00bb  le public du Royal Festival Hall et du Barbican.<\/p>\n\n\n\n

Au Grosses Festspielhaus de Salzbourg, o\u00f9 il joue avec le Mozarteum Orchester, et \u00e0 la Grosser Saal du Mozarteum, o\u00f9 il se produit en chambriste, on appr\u00e9cie \u00abson jeu musical et techniquement bien assur\u00e9 soutenu par une puissance et une pr\u00e9sence rythmique irr\u00e9prochable\u00bb ainsi que \u00absa parfaite ma\u00eetrise de la palette sonore dans toutes ses nuances, des atmosph\u00e8res les plus sombres au lyrisme po\u00e9tique<\/em>\u00bb.<\/p>\n\n\n\n

Aux \u00c9tats-Unis, le New York Times salue \u00abson toucher intense, clair et d’une sobri\u00e9t\u00e9 rafra\u00eechissante\u00bb<\/em> lors de ses d\u00e9buts au Carnegie Recital Hall.<\/p>\n\n\n\n

Au Japon, il joue au Kioi Hall et au Bunka-Keikkan de Tokyo, au Izumi Hall d\u2019Osaka, et au Act City d’Hamamatsu. Au Aichi Concert Hall de Nagoya, il interpr\u00e8te le premier Concerto de Liszt avec le Shinsei Nippon Orchestra dans le cadre du concert du nouvel an, diffus\u00e9 en direct sur la cha\u00eene de t\u00e9l\u00e9vision NHK.<\/p>\n\n\n\n

\u00c0 Paris, o\u00f9 l\u2019on aime sa \u00abnoblesse et intensit\u00e9 de style\u00bb, son \u00abjeu po\u00e9tique et ses doigts d’acier<\/em> \u00bb, son \u00ab style solide, franc comme l’or, sensible<\/em>\u00bb, il interpr\u00e8te \u00e0 la Salle Pleyel le Concerto en r\u00e9 mineur de Bach avec l’Orchestre de chambre de Stuttgart sous la direction de Karl M\u00fcnchinger, et avec l’Orchestre philharmonique de Radio France sous la direction de Ferdinand Leitner. Il se produit en r\u00e9cital au Th\u00e9\u00e2tre du Ch\u00e2telet et au Th\u00e9\u00e2tre des Champs-Elys\u00e9es, o\u00f9 il joue \u00e9galement sous la direction de Samuel Friedman.<\/p>\n\n\n\n

<\/h2>\n\n\n\n

Invit\u00e9 de nombreux festivals tels le Printemps de Prague, les F\u00eates musicales \u00e0 la Grange de Meslay, le Festival de Saint-Denis, le Festival de Montpellier, les F\u00eates romantiques de Nohant, le festival Chopin \u00e0 Bagatelle, le Midem classique, le Busan Music Festival (Cor\u00e9e du Sud), Bowdoin Music festival (\u00c9tats-Unis), il se produit \u00e0 plusieurs reprises avec l’Orchestre de Lille sous la direction de Jean-Claude Casadesus.<\/p>\n\n\n\n

Sollicit\u00e9 par les radios europ\u00e9ennes dont Radio France, la RIAS de Berlin et la Radio Suisse Italienne, il a enregistr\u00e9 pour le label BNL les disques : Liszt <\/em>(4 diapasons), Moussorgski \u2013 Tableaux d\u2019une exposition<\/em> (4 diapasons), Beethoven \u2013 Les trois derni\u00e8res Sonates <\/em>(4\u0192 T\u00e9l\u00e9rama). Le label Timpani a publi\u00e9 son int\u00e9grale des \u0153uvres pour piano de Vierne (4 diapasons), Beethoven \u2013 Les trois derni\u00e8res Sonates<\/em> (4\u0192 T\u00e9l\u00e9rama). Le label Timpani a publi\u00e9 son int\u00e9grale des \u0153uvres pour piano de Vierne (4 diapasons), des pi\u00e8ces de musique de chambre de Vierne (4 \u00e9toiles du Monde de la Musique) et de Vincent D\u2019Indy, l\u2019int\u00e9grale des \u0153uvres de musique de chambre d\u2019Alkan (Prix sp\u00e9cial de la Nouvelle acad\u00e9mie du disque fran\u00e7ais, 5 diapasons). Son disque Brahms <\/em>chez Ameson est consacr\u00e9 \u00e0 la Sonate op. 5 et les Variations et fugue sur un th\u00e8me de Haendel du compositeur allemand (5 diapasons).<\/p>\n\n\n\n

<\/h2>\n\n\n\n

OLIVIER GARDON<\/strong> est professeur de piano \u00e0 l’\u00c9cole Normale de Musique de Paris Alfred Cortot apr\u00e8s avoir \u00e9t\u00e9 professeur au Conservatoire \u00e0 rayonnement r\u00e9gional de Paris (CRR) et \u00e0 la Hochschule de Hanovre. Il a \u00e9t\u00e9 \u00e9galement le directeur artistique de l\u2019Acad\u00e9mie internationale d\u2019\u00e9t\u00e9 de Nice. Il est r\u00e9guli\u00e8rement invit\u00e9 \u00e0 donner des master-classes dans de nombreuses acad\u00e9mies telles le Sommerakademie du Mozarteum de Salzbourg, le Toho Gakuen School (Japon), l\u2019Acad\u00e9mie de musique fran\u00e7aise de Kyoto, l\u2019Universit\u00e9 de Yonsei \u00e0 S\u00e9oul, le Bowdoin College aux \u00c9tats-Unis, l\u2019Acad\u00e9mie musicale de Villecroze, Music\u2019Alp Courchevel, Musikhochschule de Leipzig, etc.<\/p>\n<\/details>\n\n\n\n

En savoir plus<\/a><\/strong><\/p>\n\n\n\n

<\/div>\n\n\n\n

Organisateurs<\/h3>\n\n\n
\n
\"\"<\/figure>\n<\/div>\n\n
\n
\"\"<\/figure>\n<\/div>\n\n\n
<\/div>\n\n\n\r\n \r\n Toute la Programmation <\/a>\r\n","protected":false},"excerpt":{"rendered":"

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